Wednesday 30 January 2008

There Will Be Blood REVIEW



A story about family, greed, religion, and oil, centered around a turn-of-the-century prospector in the early days of the business.

Well, first things first, I didn't think that I would come across a film that would have the same impact on me when i watched Atonement. Boy was I wrong! Everything in this film is pure genuis on Anderson's part. Stunning cinematography and every that I want in a film and more!

There Will Be Blood contains some intresting idelogies about surburben America. Most notably an incredibly isolated one. But two that come to mind are this Anti-Religious theme and Ant-capitalism. We see the character of Plaintiff, who feels uncomfortable around Eli Sunday in relation to his evangelical preching. Daniel Day-Lewis' character is one of a seriosuly repressed man, who wants no more than to own every oil enterprise in the land.

What was so brilliant about this film, which I will probably say again was just absolutly bloody everything. The score I will begin with. Made by Radiohead's Jonny Greenwood, who for some starnge reason did not get an Academy award nomination for this, produces a score which prefectly relates to the time period. The whole errieness of it and the detuning of the score, adds to the bleak, corrupt atmosphere that we see on screen. Abolutly mesmeriszing. Something which I have to buy very soon. Still have it in my head. So brilliant"

The film also contains huge christian like imagery. For instance Plaintiff, is seen as deriving from hell, ie- we first seen him down in the pit lookin for oil. From there we can see he is a violent, selfish man, who is deterimined to get what h wants. From there on, when he takes the son of another man and poses him as his own-also symoboloses this. There are loads more but I dodn't want to give too much away as it's just blown me away!

Talking of "blowing me away" the cinematography. WOW oh Wow! again I didn't think I would see should sensational cinematography since I watched Atonement back in September. Again I was serisouly wrong. Throughout the film, the colour on the screen changes from dark to seriously light. Again, possibly signifies the changing of mood. One oncredibly piece of imagery is that scene where the oil place is on fire is unbelivably. The colours, is set up perfectly for something spectactualer. I don't have the words to describe it but once you see it you'll see what I mean.

Being a Scorsese fan, I can see hell of a lot of trademarks in here that he uses. For instance the jump cuts in here, that he often uses. These, as I can see from reviews have put people off and confused them a little. For me this is is beauty of the film. It has certainly made be think about how much I take for granted everything told to me in the film. I mean Anderson takes a chunk of vita nrrative information and doesn't tells us anymore. I loved this. Seriouslyy people is a good thing you know. It's something that is original and not often used. People wake up! Anyway, I loved some of the tracking shots in this, not quite beating Atonement but still some unbeliveable scenes in it.

The acting...well just outstanding. Daniel Day Lewis seriosuly pocess the inner-body of his character so well. The John Huston like voice, mannerisms, e.t.c is just mind-blowing. If he doesn't win best actor at this year's oscars-I'l eat my own hat!! I have to say Paul Dano is serisouly under-rated in this role. He brilliantly plays the twin-brothers Eli and Paul so so well. I love his crazy preaching moment...but I can't go into that much. Both actors, Dano and Day-Lewis have brilliant chemistry on screen which shows. I can't understand why Dano hasn't been credited more with his role-only a BAFTA nomination. I guess his is slightly over-shadowed by Day Lewis's performance.

Overall, the length of the film DOES NOT matter, the jump cuts, DOES NOT matter, acting, score cinematograpy all contribute to a sensational, outsanding film which words can't not express. I couldn't keep my eyes of it all the way through, just annoyed me that I picked a crapy version but I will get it on DVD soon.

Go out and see it when you can, you wont be dsappointed. Ignore the negative comments here because they're wrong!! There Will Be Blood gave me the same experience as I had with the brilliant Atonement. One of utter admiration for the director and just all around Wownes...a word I made up right there!

Oh and one quote I will never forget. A great metaphor oil.

I drink you're milkishake.........I drink it up!

10/10

Sunday 23 December 2007

Atonement REVIEW



Based on Ian McEwan?s award wining novel of the same name, Atonement tells the story of A British romance that spans several decades. Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.

I?ve waited several months to see Joe Wright?s second feature film ?Atonement? and it did not disappoint. For an only second feature film by 35 old Joe Wright, it?s absolutely astonishing. Directed superbly on all levels. From the stunning Dunkirk visuals, to several Point of view shots empathising each character?s need and feelings at that point, you can?t help but feel intertwined in the story and with the characters. I haven?t seen such an epic of a film since The English Patient, I hope it continues to do well at the box office and worldwide, as it deserved to. I haven?t read the novel, so I will do soon.

There are many sensational tracking shots in this, which I loved. For instance, in the Dunkirk scene, we walk with Robbie and see the devastation through his eyes, just amazing. At the beginning, Briony?s view of Robbie and Celia is done through two perspectives. One being what Briony believe has happened and two the real truth, this creates a dilemma for the audience as you don?t really know who to believe at that point. One shot I loved was of Briony?s eye, an extreme close-up almost giving a clue to the viewer. As I mentioned before, I can not believe that Wright has produced such a masterpiece of a film, in only his second feature.

The Dunkirk, scene is something to be remembered. Watching it at the cinema, I was so taken aback by the extraordinary beauty of the scene. The cinematography is sensational. It captures the mood of that time, so well that you can put yourself in there. What works is that you think what you?re seeing is real, and everything in every frame of that scene. I can?t really describe the words, as it won?t really doesn?t do justice to what I thought of the scene but let?s just say I?m still thinking about it now and will always. Subsequently that scene has to be up there with some of the best war scenes ever created for the silver screen, and I don?t often say that unless it?s seriously something that has left me speechless beyond any recognition- that hasn?t happened. Some other scenes to mention are; Celia and Briony?s estate like house and the scenery and the wartime London are also sensational. Plus, there done in such a way you wouldn?t expect a 21st century film to make.

FULL REVIEW HERE

No Country For Old Men REVIEW


After several months of not posting here's the first one...

Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash near the Rio Grande.

I manged to watch this whilst trawling through the internet for films to watch. Luckily I found it! And it's not even released in my country yet. I was not disappointed. No Country for Old Men is one hell of a film, so good I might have to re-rate some other films. For sure an American classic and yes this is a masterpiece. And no American Gangster is not what I first thought it was after watching it. This is the first Cohen brothers film that I've watched. I don't know how I have manged to not watch any of their films but I will now. No Country For Old Men is a character-driven masterpiece. I'm sure I will mention that again in this review.

No Country For Old Men is definatly one of the best of 2007, possibly in my top 5. Not as good as the superb Atonement, but is still sensational. The film's narrative is relativly simple but by the end of the film you come out feeling like you witnessed something more. The film is incredibly stylistic. I mean you find yourself deliving into the scenery because it's just awe-inspiring it truly is. I don't think i've seen such a great film this year since Atonement.

The film plays with your own perception of morality. For instance the tossing of the coin by Bardem's character and Le-Jone's character's perception of morality in this era. The sense that what is real now does not reflect the past is also reflected in the film. Vietnam is often repeated symbolised the "Old Men" in the title. Also symobolising this is "No Country For Old Men." If you see what I mean. Luckily most users on this site, from reading their reviews have picked up on that.

Shot through some humours moments, which is evidently refelcting what would otherwise be in a real-life situation, should not be mistake for "gooy" moments" in the film. As No Country For Old Men is one serious girtty western drama. And for once an American thriller which actaully keeps you thrilled to the very last moment.

The acting in this is something of pure greatness. From Tommy Lee Jone, Josh Brolin, Javier Bardem and Scottish actress Kelly McDonald; No country for Old Men delivers something of pure greatnes, if that's a word, maybe I made it up right there. Javier Bardem, in the first role that I've seen him in, seems to have done his best performance of his career. For sure an Oscar nomination and possibly my vote for winning it. His character's presense and ghost-like ora throughout the film, gives off one chilling performance that I will never forget. I'm still thinking of it now. Josh Broling, who also completes the sensational cast, produces a great performance but is outlclassed by Javier Bardem for me. Tommy Lee Jones is as ever brilliant and will no doubt get an oscar nomination. Also great to see Scot Kelly McDonald complete one great Texan accent. You could hardly regonise her in this.

The cinematogrphy is magnificent. It's the part of rthe film in which you are imeadiatly drawn into. The colours, almost fitting the mood of every scene. The script is expertly crafted to perfecton and will no doubt get an oscar nomination.

What is magnificent about this is that for majority of the film, there isn't much dialogue and much of the character's body language conveys the meaning to you. For instance one scene in the petrol station with Bardem's character and one with Brolin and Bardem's character.

If there's one film that yu see after you watch Atonement....it's this one. Both are just magnificent films. No Country For Old Men goes into American Film history as one of the great films. I'm still in awe of these two great directors. I must watch more of the Cohen's work.

I do't want to say any more about this brilliant piece of filmkaing as I will give bits away...so I will leave you to make your minds up.

Roger Ebert:

"This movie is a masterful evocation of time, place, character, moral choices, immoral certainties, human nature and fate. It is also, in the photography by Roger Deakins, the editing by the Coens and the music by Carter Burwell, startlingly beautiful, stark and lonely."

*Magnificent Highly recomend*

Trailer:

Tuesday 28 August 2007

My thoughts so far on.....Wes Anderson


I managed to watch some of his films over the summer and really got to like his style of filmaking. Haven't managed to watch Bottle Rocket yet but from his main films that I Watched: Rushmore, Life Aqautic and The Royale Tenebaums. Now he is officialy one of my favourite directors. There's just something about his style of filmaking that's so unique. The Brit-Rock soundtrack I love that he uses on several occasions and every script seems to be of a high standard. Just fantastic. I urge people to watch his movies! Now

I'll be putting up my reviews of them soon.

Here's a trailer for Rushmore. Hilarious!




Anderson's latest film is out over here in the UK 23rd November and in the US 29th of September.

My 100 Favourite Films Of All Time



It's taken me a while to do this but finally I've got it. There are more than 100 but I'll just stick to this.

The top 5 are possibly in order but the rest of just some of my favourites. These aren't necessarily great movies, just some that I love watching over and over again.

I'm sure I've forgotton some so I migh do a 200 favourite movie list soon. My List is forever changing

Feel free to comment

101.The Shining(1981)Dir.Stanley Kurbick
100.The Royal Tenebaums (2001)Dir.Wes Anderson
99.Leon -The Professional (1994)Dir.Luc Beeson
98.Annie Hall(1977) Dir.Woody Allen
97.Batman(1989) Dir.Tim Burton
96.Good Bye,Lenin(2004) Dir.Wolfgang Becker
95.Chinatown(1974) Dir.Roman Polanski
94.A Clockwork Orange(1971)Dir. Stanley Kubrick
93.Close Encounters of the Third Kind(1977) Dir. Steven Spielberg
92.Get Carter(1971)Dir. Mike Hodges
91.Vertigo (1958)Dir. Alfred Hitchcock
90.Sympathy For Lady Vengeance(2005)Dir. Chan Wook Park
89.American Graffiti(1973) Dir. George Lucas
88.Un Chien Andalou (1929)Dir. Luis Bunuel
87.The Italian Job(1969)Dir.Peter Collinson
86.Star Trek IV - The Voyage Home(1986)Dir.Leonard Nimoy
85.Bonnie & Clyde(1967)Dir.Arthur Penn
84.Batman Begins(2005)Dir.Christopher Nolan
83.Once Upon A Time In America(1984) Dir. Sergio Leone
82.The Ipcress File(1965)Dir.Sidney J Furie
81.Psycho(1960)Dir. Alfred Hitchcock
80.Little Miss Sunshine(2006)Dir. J Sayton and V.Falris
79.A Streetcar Named Desire(1951)Dir.Elia Kazan
78.2001: A Space Odyssey (1968)Dir. Stanley Kubrick
77.The Sound of Music(1965)Dir.Robert Wise
76.Memento(2000)Dir.Christopher Nolan
75.Casablanca(1942)Dir.Michael Curtiz
74.What About Bob?(1991)Dir.Frank Oz
73.The Matrix(1999)Dir.Andy Wachowski, Larry Wachowski
72.Wayne's World (1992)Dir.Penelope Spheeries
71.From Russia With Love(1963)Dir.Terance Young
70.The Bourne Identity(2002)Dir.Doug Liman
69.Die Hard(1988)Dir.John McTiernan
68.Who Framed Roger Rabbit(1988)Dir.Robert Zemeckis
67.The Wicker Man(1975)Dir.Robin Hardy
66.Airplane!(1980)Dir.David Zucker,J Abrahams
65.Star Wars: Episode IV - A New Hope(1977)Dir.George Lucas
64.Crash (2005)Dir.Paul Haggis
63.The Bridge on the River Kwai(1957)Dir.Davd Lean
62.One Flew over the Cuckoo's Nest(1975)Dir.Milos Forman
61.All the President's Men(1976)Dir.Alan.J Pakula
60.Saturday Night Fever(1978)Dir.John Badham
59.Saving Private Ryan(1998)Dir.Steven Speilberg
58.The Conversation(1973)Dir.Francis Ford Coppola
57.The Graduate(1967)Dir.Mike Nicols
56.Bullitt(1968)Dir.Peter Yates
55.Jaws(1975)Dir.Steven Spielberg
54.Catch Me If You Can(2002)Dir.Steven Spielberg
53.Indiana Jones and the Last Crusade(1989)Dir.Steven Spielberg
52.Toy Story(1995)Dir.Joh Lacesster
51.Ocean's Eleven(2001)Dir.Steven Soderbergh
50.Gone With the Wind(1939)Dir.Victor Fleming
49.Cabaret(1972)Dir.Bob Fosse
48.The Sting(1974)Dir.George Roy Hill
47.The Deer Hunter(1978)Dir.Michael Cimo
46.Raiders of the Lost Ark(1981)Dir.Steven Spielberg
45.Star Wars: Episode V - The Empire Strikes Back(1980)Dir.Irvin KErshner
44.The Lord of the Rings - The Fellowship of the Ring(2001)Dir.Peter Jackson
43.Citizen Kane(1941)Dir.Orson Welles
42.North by Northwest(1959)Dir.Alfred Hitchcock
41.American Beauty(1999)Dir.Sam Mendes
40.Monty Python's Life of Brian(1979)Dir.Terry Jones
39.Lost In Translation(2003)Dir.Sophia Copola
38.Kill Bill, Volume 2(2004)Dir Quentin Tarantino
37.Butch Cassidy and the Sundance Kid(1969)Dir.George Roy Hill
36.The Phantom of the Opera(2004)Dir.Joel Schumacher
35.Mean Streets(1973)Dir.Martin Scorsese
34.Downfall(2003)Dir.Oliver Hirchspeilgel
33.Kill Bill, Volume 1(2003)Dir.Quentin Tarantino
32.Das Boot(1981)Dir.Wolfgang Petersen
31.Network(1976)Dir.Sidney Lumet
30.Annie Hall(1977)Dir.Annie Hall
29.Eternal Sunshine Of The Spotless Mind(2004)Dir.Michael Gondry
28.The Truman Show(1998)Dir.Peter Weir
27.The Aviator(2004)Dir.Martin Scorsese
26.Out of Sight(1998)Dir.Steven Soderbergh
25.Ghostbusters(1984)Dir.Ivan Reitman
24.Falling Down(1992)Dir.Joel Schumacher
23.Blow-Up(1966)Michelangelo Antinoini
22.The Negotiator(1998)Dir.F Gary Gray
21.Breakfast at Tiffany's(1961)Dir.Blake Edwards
20.Big(1988)Dir.Penny Marshal
19.A Bittersweet Life(2005)Dir.Ji Woon Kim
18.Chungking Express(1994)Dir.Wong Kar Wai
17.Pulp Fiction(1994)Dir.Quentin Tarantino
16.Fight Club(1998)Dir.David Fincher
15.Back to The Future(1985)Dir.Robert Zemeckis
14.The Departed(2006)Dir.Martin Scorsese
13.The Godfather, Part II(1975)Dir.F.F.Coppola
12.Hard Boiled(1992)Dir.John Woo
11.2046(2004)Dir.Wong Kar Wai
10.The Pianist(2002)Dir.Roman Polanski
9.Goodfellas(1990)Dir.Martin Scorsese
8.The Godfather(1972)
7.The Shawshank Redemption(1994)Dir.Frank Daranbont
6.Amelie(2001)Dir.Jean Perre Jeanut
5.Oldboy(2005)Dir.Chan Wook Park/Seven(1995)Dir.David Fincher
4.The Third Man(1949)Dir.Carol Reed/Blade Runner(1983)Dir.Ridley Scott
3.Taxi Driver(1976)Dir.Martin Scorsese
2.The English Patient(1996)Dir.Anthony Mingella
1.In The Mood For Love(2001)Dir.Wong Kar Wai

Brand New Poster for "Assassination of Jesse James"



Stars: Brad Pitt, Casey Affleck, Sam Shepard, Mary-Louise Parker, Jeremy Renner, Paul Schneider, Sam Rockwell and Zooey Deschanel.
Dir:Andrew Dominik

No UK release as yet, which annoys me but US audiences can expect to see it around September

Upcoming movies

Sleuth(2007)

This is the re-make of the 1972 version starring Michael Caine and Laurence Oliver. This one stars Caine again but with Jude Law, taking on the role that he played in the 1972 version. The re-make is directed by Kenneth Branagh, who also directed Much Ado About Nothing(1993) amongst other films.

UK audiences should expect to see it 23rd of November and the US release is limited but it's released 12th of October.

Looks great from the trailer, I just hope it will come to my cinema.